A camera body on its own isn't ready to shoot. It needs power, media, protection, and depending on the job — rigging, monitoring, and audio. Instead of leaving you to piece all that together, we do it ahead of time.

Every build is put together from parts we've actually used on shoots. The cage fits the body. The batteries match the power draw. The cards handle the codec. You show up to set with a package that works — not a box of parts that might.

When we pick parts for a build, we're asking the same thing a working DP or camera tech would: what do I actually need on set today?

Everything is checked for compatibility — right cage, right cables, right power. No adapters for adapters. We include enough media for a full day at the camera's native codec, not one card that fills up after two takes. Power is sized to actual draw — compact cells for a stills setup, high-capacity packs for a cinema rig.

Not every shoot needs the same amount of gear. A solo photographer needs a different setup than a full cinema crew. That's why our camera builds come in three tiers — Stills, Indie, and Cine — each one built for a different kind of shoot.

Each tier builds on the one below it. An Indie Build has everything in the Stills Build, plus the extras you need for a small crew. A Cine Build has the full Indie package plus monitoring, filtration, and proper rigging. You never pay twice for the same gear, and you can step up or down to match what the job actually calls for.